Wednesday, September 7, 2011

Eyes and Ears




Read:

Street Player: My Chicago Story, by drummer Danny Seraphine, chronicles the band Chicago from its beginnings through Seraphine's firing in 1990. His long residency with the group should make his story appealing to listeners fond of the band's harder, earlier rock sound as well as those drawn to the pop material which followed.

Listen:

Chicago: The Very Best Of : Only The Beginning

Chicago's Greatest Hits

Chicago Transit Authority

The Heart Of Chicago: 1967-1968



Wednesday, August 17, 2011

New Music Books










I Feel So Good: The Life and Times of Big Bill Broonzy


by Bob Riesman



"This book sets Bill's extraordinary life and career in meticulously researched perspective...if rock 'n' roll and all its recent spawn can in any sense be regarded as art, or carries any social meaning, or transmits reflective or historical relevance to those who love it, this book will help to explain why."--Pete Townsend




Keep On Pushing: Black Power Music from Blues to Hip-Hop





by Denise Sullivan



"A pleasing survey of soul music, from Lead Belly to Johnny Otis to Michael Franti to Louis Farrakhan...Sullivan offers a welcome exploration of how African-American popular music becam America's vernacular." --Kirkus Reviews





All The Things You Are: The Life Of Tony Bennett
by David Evanier




"The great thing about David Evanier's biography - beyond its reliable research, nuanced evaluations, and stylistic eloquence - is that by looking closer at a great artist than the artist might have wished, it uncovers a man even more worthy of our admiration than we knew: a valiant defender of civil rights as well as the classic American songbook and the singer's right to enhance it by his own light." -- Gary Giddins.


Tuesday, August 9, 2011

Your favorite opening?

Some songs just have a great opening line - one that starts things off perfectly. Please click on "comment" and post yours. I'll start with two favorites!

"I was cutting the rug down at a place called "The Jug" With a girl named Linda Lou... "

"I saw a werewolf with a Chinese menu in his hand walkin' through the streets of Soho in the rain..."


Monday, August 8, 2011

Kinks



Several high profile releases have come into the Media Department recently. The long-unreleased Neil Young work A Treasure, the new Arctic Monkeys, the new Beyonce, and more.


Perhaps a little under the radar, but well worth a listen is the 1966 recording Face To Face by the Kinks. The band, one of the most influential of its time, entered a new and significant phase with this release. Ray Davies' writing for the album represents "the first full flowering of Davies' use of narrative, observation, and wry social commentary in his songs (Wikipedia)." And what great songs: "Party Line," "Dandy," and "Sunny Afternoon." The edition owned by the library contains another true Kinks classic "I'm not Like Everybody Else." Not all pop recordings sound good 40 years after their release. Face to Face remains fresh, compelling and fun.

More from the Kinks:
BBC Sessions: 1964-1977
Backtrackin'
Greatest Hits
Lola Versus Powerman and the Moneygoround
Muswell Hillbillies
Something Else (another significant recording from the year after Face to Face)
The Kink Kronicles

Tuesday, July 19, 2011

Nina Simone




Although Nina Simone enjoyed great popularity during her life, recording over 40 albums and performing around the world, her fame had begun to ebb by the time of her death in 2003. Her recordings continue to be reissued, though, and have reached an audience too young to have heard her in the 1950s and 1960s. Loved by her fans, she is still less than a household name today, so it is surprising to learn that the one recording owned by the library, Nina Simone Anthology : The Colpix Years, has been borrowed 101 times. To that popular collection of her earlier recordings, the library recently added another two-cd set titled simply, Anthology. These recordings represent Simone's work up through the 1960s and even early 1970s. The singer continues to blend blues, soul, standards, jazz, and Broadway tunes, bringing to each her understated but powerful sound. Pop songs like "The Glory of Love" and "To Love Somebody" show what she can do with a hit of the period, while "My Baby Just Cares For Me" shows her skill with more classic pop. Of particular interest are some of the later recordings. Her versions of Bob Dylan's "Just Like A Woman" and Sandy Denny's "Who Knows where The Time Goes" are reason enough to listen to this wonderful recording, with the added bonus of some beautifully expressed soul and jazz.

Tuesday, March 22, 2011

Blues Gold


Various Artists - Blues Gold

I can't say this with 100% certainty, but when I was in grade school I think took some form of music appreciation. I remember there being a teacher, naturally, and singing. There was a piano and a few others instruments. But I don't recall what songs, or why we were even there to begin with. What was the meaning of it all? At that age you don't fully understand the significance of music. You know you like it. You know other's like it. But you don't realize its true power, how it has defined cultures, started movements and changed lives. I must have been nine or ten, give me a break. I think my favorite song when I was that age was Modern English's "Melt With You." What a hopeless romantic.

What I'm getting at is that music programs absolutely should be part of a student's curriculum, and at an early age too, not just in college. The arts seems to be non-existent in school these days. At least they were when I was younger.

I'm not talking about showing a copy of The Sound of Music. Or watching Barney. I know stuff like that has its benefit and I'm certainly not against them. I know songs like Do Re Mi are fun and innocent. But let's go beyond that. Let's teach our kids to be passionate, unafraid to be unique. How do we expect to inspire our kids? (Inspiration isn't found solely through music, mind you, but this is a music blog after all). Whenever Lamb Chop was on when I was a kid, I was always a bit freaked out by the woman's overexcitement when she was singing. The music I found most enjoyable was what was in the background of my favorite afternoon cartoons: Tom & Jerry, Bugs Bunny, etc, which played a lot of jazz and classical. Beautiful stuff.

We should open people up, not just kids, to what's out there. I know I'm beginning to beat a dead horse here, but it's like we're being too manipulated and influenced by savy advertisers. Tabacco companies, anyone? I mean, ever heard of Kidz Bop? Kids go nuts over songs that corporations carelessly churn out, and thanks to radio stations like KIIS FM, there is no end in sight. Ever find a Muddy Waters song on any kids compilation? Get real! Big Mama Thornton? Now you've lost me.

Funny thing, during school dances the music was always my least favorite part. Not the feeling of embarrassment I felt as I flung my arms and legs around the dance floor. But the not-this-song-again feeling in my chest.

Blues, I think, out of all the genres I've covered, is my favorite. My favorite changes everyday, but whenever I go back to blues, it always puts me in such a good place. The close-your-eyes-and-feel-all-the-pain-and-suffering-disappear place. Not that I go through very much pain and suffering. But blues songs have always found me at my most vulnerable. Like when I'm driving home at night, feeling lonely, and on comes "I'd Rather Go Blind" by Etta James. Everything is suddenly perfect. The moon is suddenly larger and brighter and all the lights are green. Or when you're in Seattle and a street performer is playing "My Babe" by Little Walter down at Pike Place.

Do check out the Etta James song I mentioned. You'll know what I'm talking about. And if you don't get it, then I don't know what to say.

I know Pop Music will never fade out, and I'm ok with that. I just hope one day people will realize what they've been missing before stuff like blues gold is forgotten. Whether we want to acknowledge it or not, the generations that grew up with most of the music I've covered is getting older, let's keep their memories alive.

Thursday, March 10, 2011

In the Jungle Groove



James Brown - In the Jungle Groove

Like most people, my knowledge of James Brown didn't go much further than his biggest hits: Papa's Got a Brand New Bag, I Got You (I Feel Good) or It's a Man's Man's Man's World; K-Earth 101 material. Those don't even scratch the surface. James Brown didn't earn "The King of Soul" reference because of three radio hits. If you really explore his entire career - if you haven't, you should - those songs are weak in comparison (really, they're wonderful songs). In particular, listen to his late 50s stuff.

Jungle Groove is the definition of funk. In fact, there is no definition of funk in the dictionary; I checked. This album plays when you look it up, like one of those cheesy Hallmark cards that play music. Only this is ten full, incredible, danceable songs from an artist who unabashedly did his thing, his way.

Really, I chose Jungle Groove to highlight one track in particular, "Funky Drummer." Consider the happiest moment in your life: graduation, birth of a child, marriage; that's what hearing Funky Drummer is like. It's smooth, cool and just the right amount of funk to tap your foot to. The real winners here are the musicians, though; James Brown merely directs traffic while occasionally grunting out a line or two.

As James Brown compilations go, you couldn't do better than Jungle Groove.